Perception lies at the core of my work. It is an active process that engages not only the intellect but also the body and emotions. The viewer holds a central role within my practice, becoming an essential participant rather than a passive observer. What does it mean to inhabit a particular space? How do we perceive our surroundings? And how are we affected when our habitual modes of perception are disrupted? These questions underpin the experiential environments I create, inviting reflection and embodied engagement.
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